Top 100 (Korean) Songs of the Decade: #10~#1

Previous Entry (#20~11):

http://jdbae.wordpress.com/2011/01/05/top-100-korean-songs-of-the-decade-2011/

10. g.o.d. – 길 (The Road)
Album: Chapter 4: 길 (The Road)
Release: 11-12-2001

(Song starts about two minutes in.)

Formerly five-man boy band g.o.d. (stands for Groove Over Dose. Yeah, everyone ignores it.) had talent that remains questionable–a couple of the members were okay at rap, and the four members besides lead vocal Kim Tae-Woo had only so-so singing ability before some went solo. What isn’t questionable is the importance of the social messages that their songs contained, compared to the slightly less concerned idol groups today.

“The Road” was actually not as popular as their former “To Mother” or “Lie”, among others, but to me the song signifies the apex of g.o.d.’s musical achievement. The five members’ easy vocals float over four minutes of minimalist instrumentation, where strings (both soothing and haunting at once) punctuate acoustic guitar and appropriately light percussion; the two lead vocals, Kim and Son Ho-Young, cry out with characteristic emotion. What really makes this song is the lyrics: in a time of uncertainty for many teens and young adults, when a still-recovering-from-crippling-recession left little opportunities, g.o.d. sang of the struggle that they had with their future, of the role of destiny, and of dreams. Large numbers of people still testify to the powerful effect that this song had on them when they were young, and I feel that its message, summed up by the chorus, rings more true than ever today.

Why I am I standing on this road
Is this really the road for me
Will my dreams come true at the end of this road?
What do I dream about
Who is that dream really for
When I achieve that dream, will I be able to smile?

ANY CHARACTER HERE

9. Clazziquai Project – 내게로 와 (Come to Me)
Album: Instant Pig
Release: 5-14-2004

Many listeners forget the fact that, for all their relative obscurity until a couple years ago, Clazziquai Project had some of the greatest impact on the Korean pop scene today. These are the artists that effectively introduced electronica and house to the Korean mainstream, long before they were considered cool. It took until circa 2008, four years after Clazziquai’s debut, until electronica became the #1 trend in Kpop–but as far as I’m concerned, no one still does it quite like the originals.

Instant Pig is considered one of the best albums in Korean history, and we don’t need to look any further than “Come to Me” to see why. There are two versions of this song: a house version, released with that album proper, and a mellotron remix version, which was released with the repackage. Both versions are fantastic in their unique ways; my personal preference goes with the latter version, though. There’s so much character packed into this song’s instrumentation alone–the pumping bass kicks, the dreamy mellotron, the ambient-but-effective synth effects are just a part of the incredibly atmospheric music. Kim Sung-Hoon (aka DJ Clazziquai) then adds his trademark melodywriting skills to the mix to produce something truly exceptional. The two vocalists, Alex and Horan, harmonize that melody beautifully with words just as dreamy as the mellotron piano that powers the song.

In a way, “Come to Me” is both the epitome and apex of Clazziquai’s music. It’s even dreamier than “She Is”, more fun than “Lover Boy”, more atmospheric than “After Love”, more seductive than “Love Again”–and more Clazziquai Project than anything else. “Come to Me” still remains the standard to which I compare all other electronica, and I’m not sure if any artist will be able to top the achievement that Clazziquai set through this song and its album.

ANY CHARACTER HERE

8. 이승철 (Lee Seung-Chul) – 하얀새 (White Dove)
Album: Reflection of Sound
Release: 9-26-2006

This isn't the album's original cover, but it's one from a repackage and it looks cooler.

As a twenty-year veteran of the music industry, Lee Seung-Chul has produced some of the most memorable songs ever–the fact that the band Buhwal’s (Lee was the vocalist of this band throughout the 90s and on and off in the new millennium) greatest hits are still being sung and remade is testament to that. “White Dove”, a single from Lee’s eighth studio album Reflection of Sound, was a culmination of his experience and the skill that helped him get to where he is today. The lyrics are both hauntingly poetic and heavily metaphorical–similar in function to YB’s 2006 single “1178” (that song just barely missed making the Top 100 list), which was an emotional commentary over the split Korea’s, “White Dove” works both as a love song and a pacifist message, but with emphasis mostly on the love song part.
The music is expertly crafted, with neither acoustics nor strings overdone; the presence of a harmonica to mimic the melody is especially interesting. The structure is exhilarating as well: a soothing, lullaby-like verse builds up to a rousing chorus, and the song becomes nigh anthemic by the time it flows from the bridge and into the climax, where Lee simply leads as a choir harmonizes the melody. All of this is tied together by that signature, effortlessly soft style of singing that only Lee Seung-Chul has. The effect is cathartic.

ANY CHARACTER HERE

7. 리쌍 (Lee Ssang), featuring 정인 (Jung-In) – 리쌍부르쓰 (The Lee Ssang Blues)
Album: 재, 계발 (再啓發) (Re-enlightenment)
Release: 5-22-2003

Hiphop duo Lee Ssang loves wordplay. The Korean title of “The Lee Ssang Blues” is intentionally misspelled; the title of the “Re-enlightenment” album is a pun on a homonym that means “Reconstruction”; heck, in their third album they even made the group name “Lee Ssang” into a pun.

Perhaps that has to do with why their music is so successful. That wordplay segues right into clever lyricism when it comes to their rap, which is only one part of their standards of excellence. “The Lee Ssang Blues” was the lead title of this duo’s second ‘official’ studio album, and I am not hesitant to call this one of the greatest rap songs of all time. Before there was “I Ain’t Laughing”, there was this. Vocalist/producer Gil’s talent shined in the reggae-themed, laid-back yet tightly-controlled beat; rapper Garry wrote one of the most impressive displays of his soulful flow; and featured funk artist Jung-In put in an exotic performance as always. In a scene that was beginning to be dominated by extremely commercial hip-hop, Lee Ssang went to do the music that they wanted; there they have remained ever since.

ANY CHARACTER HERE

6. Cherry Filter – 여신의 나무 (The Goddess’s Tree)
Album: Rewind
Released: 9-17-2007

Cherry Filter produced a number of hits, a few of which have made this list. Those are songs that have attained both commercial and critical success. On the other hand, “The Goddess’s Tree” is a relatively unknown track–it was released as part of Cherry Filter’s 2007 remake album, Rewind, but never became a promotional single. As you may have noticed if you are a Japan-inclined reader, this track is a remake of Hajime Chitose’s hit “Wadatsumino Ki”–Cherry Filter kept in close contact with the original artist as they worked, eventually reinventing a groove-based ska-jazz song into a dramatically focused rock ballad.

“The Goddess’s Tree” keeps the same theme–in fact, almost the same lyrics as the original. It’s quite remarkable that the lyrics seem to have transcended the language barrier, sounding just as touching and musically appropriate in Korean. I’ve heard few songs where the vocals and music flow together as well as this; the narrative legend is powerfully recounted by Jo Yu-Jin’s chameleon-like voice, and the sheer force of the band’s performance and heavy usage of strings strikes like a storm, rather reminiscent of the turbulent waves that Jo sings to. The experience is like that of watching an epic: it leaves you breathless, with an unforgettable impression of what you just heard lingering behind. “The Goddess’s Tree” is something that really needs to be “listened to”, rather than just “heard”.

ANY CHARACTER HERE

5. 서태지 (Seo Taiji) – Heffy End
Album: 7th Issue
Release: 1-26-2004

Seo Taiji may “only” have three entries in this Top 100, but if I were to do a list like this for the 1990s, I can all but guarantee that about half of the top 10 would be by either him or his former Taiji and the Boys. Such influence no longer describes Seo today; however, his music has only evolved with every iteration, and each time it was a sensation. His sixth album, Ultramania, popularized metalcore in the Korean mainstream; 7th Issue did the same for nu metal. “Heffy End” is a part of my personal troika from that album (composed of this song plus “Robot” and “Live Wire”), and it is absolutely glorious. The guitar work is more intricate and better executed than ever before; the rhythm is lively, punctuated with downbeat breaks; Taiji’s vocals, while not exceptionally powerful, retain the essence of explosiveness; the track is put together with confident finesse. And of course, the paradoxically uplifting tone that so many Taiji songs assume elevates (sinks?) “Heffy End” to a depth that is rarely seen and seldom replicated.

ANY CHARACTER HERE

4. Drunken Tiger – Good Life
Album: The Legend Of…
Release: 3-22-2001

I maintain that Drunken Tiger’s golden age is, in fact, right now. While the dependable presence of DJ Shine is missed, Tiger JK has improved the DT brand of music to a legendary stature; he continues to push the boundaries of Korean hip-hop in ways never attempted before. That said, it may seem contradictory that I put a 2001 track as, by far, the highest ranked of Drunken Tiger’s songs. The reason is simple: “Good Life” was a crowning achievement for Korean hip-hop during a time when such a thing barely existed. The very impetus for the creation of this song was to rebel against a less-than-supportive-for-hiphop recording label, by promoting something that could never be popular in the mainstream: rap verses that continued for overly long periods (by the time’s standards), an uncomfortably engineered beat, an infinitely repeating (and therefore quickly stale) chorus.

But it didn’t happen like this duo imagined: “Good Life” garnered explosive popularity, eventually topping mainstream charts and becoming a perennial karaoke favorite for youth and salaried men alike–and known today as one of the tracks that popularized the hip-hop genre in Korea. The aforementioned chorus and interjections like “one shot” contributed to the song’s success, but even from a musical standpoint “Good Life” is quite interesting.

Both JK and Shine conjured up some of their best verses to date–showcasing flow that was highly sophisticated for its time (almost on par with their seminal “Do Y’all Know Hip-Hop”) while still accessible enough for non-rappers to be able to imitate. This was also an early attempt to infuse melody into rapping: the chorus, while not as catchy as a hook song, opened up possibilities, and listeners can clearly hear the melody in DJ Shine’s second verse. The minimalist composition, while dated-sounding today, is a great complement to the song’s cynical theme. It’s no wonder that “Good Life” holds up so well nine years after its humble release.

ANY CHARACTER HERE

3. 박효신 (Park Hyo-Shin) – 그 곳에 서서 (Standing There)
Album: Soul Tree
Release: 4-19-2004

(For some reason, all the quality-sound copies of this video on Youtube are gone. This one’s subtitled in some language that I don’t even recognize, but it was the only one I could find.)

As perhaps Korea’s best–and that is not much of a stretch–vocalist today, Park Hyo-Shin can afford to take risks. “Snow Flower” (covered earlier on this list) as well as 2007’s The Breeze of Sea were such risks, where Park abandoned his traditionally heavy, soul-influenced voice for a lighter, less ad-lib-appropriate tone. It turned out successful, but sometimes I miss this guy’s unparalleled R&B performance. “Standing There” is perhaps Park’s heaviest outing of all time–there is more weight, more gravitas, more soul here than ever before. His voice always steals the show, and it’s no exception here: from the opening falsetto to the sustained exposition to the explosive finale, it’s controlled expertly for maximum effect, and it’s done in a way that you’ll be too busy listening to care. Composer Shin Jae-Hong’s masterful pacing keeps the emotion sustained throughout a refrain that could easily be overwrought, but care is taken to let loose when it’s needed: the climax, introduced with the oh-so-rare-in-modern-soul saxophone, reaches stirring heights as Park changes key and strings provide supporting wind. To complete the troika, lyricist Chae Jung-Eun stays rather far away from R&B cliches, instead opting for handsome, urbane expressions. Truly a glorious moment in Korean R&B.

ANY CHARACTER HERE

2. Kinetic Flow, featuring 이루마 (Yiruma) – 몽환의 숲 (Forest of Phantasm)
Album: Challenge 4Da Change
Release: 2-27-2006

Kinetic Flow is a relative unknown among the mainstream. In fact, they’re probably one of the least famous artists in the entire list. The duo, originally signed with MC Sniper’s Sniper Sound Records and a part of his crew Buddha Baby, made an unimpressive (though by no means incompetent) mainstream debut with “헤어지던 밤” (“The Night We Parted”), the lead single off of first album Challenge 4Da Change. However, listeners discovered an absolute gem contained in that album. “Forest of Phantasm” was never promoted as a single, for unfathomable reasons; but word of its unbelievable quality and ingenuity spread across the Web among impressed listeners, eventually making the song Kinetic Flow’s signature track and one of the most famous tracks released by any Sniper Sound artist.

One only needs to listen to the first few seconds of “Forest of Phantasm” to realize that it’s no ordinary rap track. A mystical piano line, written and performed by well-known professional pianist Yiruma, forms the base loop, to which an unobtrusive bass and drum line are added. ULT then starts rolling off the first verse in his charismatic style, supplemented and completed by Bido Seung-Woo’s melodic rapping. As furious as their flow actually is, the lyrics are easily decipherable and truly captivating: the protagonist is led by surreal happenstance into the titular forest of phantasm, where all pain is forgotten and only the senses exist.

The song is heavily sexual, but its tasteful use of innuendo (“Where sharing of the physical sense // Overrides the five others”, or “Forget your pain // in the melody solely ours, // in the gauntlet of senses // my hand already at the end of her skirt”, and so on. You get the point.) euphemise (no, not a word) the track for all but the most prudish. The verses are full of the duo’s clever rhymework, and are presented flawlessly: ULT’s second verse and the beginning of Bido’s final verse are especially impressive. The chorus was lyrically controversial among hip-hop listeners, for the supposedly awkward placement of words like “adrenaline” solely for the purposes of rhyme, but further debate showed that the lyrics make sense in addition to sounding very cool. There’s honestly nothing that I can come up with to slam on this song, even if I wanted to.

“Forest of Phantasm” is a heartbreaking narrative, weaved in meaningful words and ingenious rhyme and told upon a beautifully surreal soundscape. Such an achievement deserves to be recognized for the masterpiece that it is, and that is why it places as my greatest hip-hop song of the decade, as well as the second greatest song, period, of the decade.

ANY CHARACTER HERE

1. 박정현 (Lena Park) – 꿈에 (In Dreams)
Album: Op. 4
Release: 6-15-2002

(Music video: contains the original instrumentation)

(Live: instrumentation is slightly different)

Op. 4 was released shortly after Lena Park’s return from her studies at Columbia University, and at a potentially unfortunate time–namely, in June of 2002, when all of Korea was swallowed up in the fervor of the World Cup being held on home turf. But it still managed to achieve huge sales and popularity, establishing itself as Lena Park’s magnum opus as well as one of the best albums of all time in Korean pop. It’s just a couple indicators of the amazing quality of this album, particularly its lead single “In Dreams.”

If I made a list of the most dramatic songs of all time, “In Dreams” would top that one too. The track seems to have been planned from the ground up to resemble an opera–and it certainly sounds like one. It’s about a girl who, in her longing for her lover, meets him in her dreams, and eventually has to let him go even in there. This explains one of the song’s most remarkable points–the number of different moods that characterize different parts of the song.

Following a subdued woodwind/piano intro, Lena Park sings (rather, almost whispers) calmly for the duration of a verse, just like a girl who met her lover for the first time in years would (We shall call this kind of situation a “ground state”.)

“What to say… my heart is so nervous
We meet exactly as we used to be”

But it’s not long before accented piano chords begin pacing the silence, and Park projects heavily, expressing her yearning to not ever wake.

“I know this is only a dream
But if I could stay like this, just sleep forever…”

You’d expect the chorus to go further out from here on. But no–the refrain returns the mood to ground state, as if to pull back before a storm. The lovers are having a happy reunion.

“You hold me like you used to
You console me, asking how hard it’s been
You hold my hand, telling me to rest my soul
Your hands are as warm as they used to be”

The song lacks a second verse. Yep, an R&B track without a second verse. Instead, the bridge shifts the mood again, as the tempo (rather, the pacing) speeds up,  guitar and bass comes in with guns blazing, and Park, the dynamic vocalist she is, builds suspense with powerful intonation. She’s wonderfully expressive here; you can almost hear the panic as she tells and promises various things.

“I’ll never let you know that this is a dream
I’ll be really good, so you won’t think of anything else
Don’t go now, just stay here with me
I won’t wake either, I won’t send you away again”

It’s an only too natural lead-in for the second refrain, which shares the same melody and lyrics as the first, but could not be any more different otherwise–the instrumentation is expansive, the vocals sweeping, and the presentation with grandeur.

“Please say it… that you’ve missed me as much as I have you”

An extended intermission follows. Except I’m not sure if that’s an appropriate word, because I think this is the single most outstanding piece of the track. It’s led by a dreamy guitar solo, with heavy pianowork lending weight; toms and cymbals resound, and Park lets loose with all the power of a true diva. (This section really just needs to be listened to rather than read about, and I’m not saying that just because I suck at describing music in words.)

The finale of the song is two minutes long–if you’re thinking that’s one heck of a long finale for a six-minute track, you’re right. But not a second of it is wasted time. Lena Park goes back to ground state for a refrain:

“Looking at me, joyful like a fool,
You give a sympathetic smile, a sad smile
And apologize that you have to go
Then you knew, like I did, that this was all a dream
But still, thank you, for meeting me like this”

That’s when a whole choir comes in with the drums to help her bring the excitement right back up. Eventually everything returns, as Park’s vocals soar explosively and the choir continues to provide support. The end is near, but the track is ready to shine the brightest before the fall.

“Now you hold me, calling it a farewell
I’ll smile for you, even if I don’t want to let you go
You turn away, like you did before
When I wake up, I’ll be alone again
You walk away–that’s familiar to me
Let me cry now… I don’t want to send you away, but I can’t see you anymore”

The denouement that follows is almost bittersweet–its lyrics are, yes, but also because of the overwhelming finality. Park is spent, the instrumentation and choirs are gone.

“I open my eyes again, and my heart is cold
Thank you, and I love you
I’m okay now, you don’t have to come again…”

The song is a symbol of completeness. The theatrics work perfectly as Lena Park puts in one of the best performances of her career (which, incidentally, took weeks of vocal arrangement to perfect), and the surreality of the setting work together with the grand scale of the instrumentation to present an unforgettable experience.

Then again, similar praise could be bestowed upon other songs on this list. In fact, other songs often have even more polish, even bigger scale, and even more emotion than this. Why, exactly, is “In Dreams” the greatest song of the decade, rather than “Forest of Phantasm”, “Standing There”, or any of the other 97 songs on this list and the hundreds more that didn’t make the top?

At the end of the day, it’s not about the sum of the parts–music is about what sounds great, as well as what moves people. “In Dreams” was not only outstanding from a technical, analytical perspective, but also on the most basic, instinctive level. It’s a song that sounds excellent. It’s a song that’s incredibly meaningful. In my opinion (and perhaps only in mine), “In Dreams” is the best-sounding, most meaningful song released in this past decade. No other artist, Lena Park included, was able to make a track greater than this; and truthfully, I’m beginning to wonder if I ever will hear one that does top my favorite song of all time. At that point, it’s a no-brainer–“In Dreams” most definitely takes #1 on this list.

About these ads
  1. I bet this is gonna sound weird, but I followed these posts really closely! You should see if pitchfork or something like that needs a Korean correspondent, you’re super good at these music reviews. Except for not putting Rain in the top ten. Rain 4ever!

    • Thank you! I actually didn’t even know about Pitchfork until now, which doesn’t help my credentials at all haha. But I would love to write for these kinds of sites. I guess I’ll look around.

      There were like four Rain songs in the original 400 or so that I picked out, and half of them made it to the final 100, so his stuff had better than average retention rate at least. Haha

    • Kidd
    • January 13th, 2011

    I check all your reviews and stuff, to tell you the truth is, it make me want to have all those songs, can you share all 100 songs to me? maybe by upload it somewhere, so i can download it :) if you can it will be great if you can email me the address :)

    keep u the good work (btw, i never heard korean songs before so i’m quite a newbie in it hehe)

    • Hi! Thanks for visiting.
      The problem is, while I do own some of these songs, I don’t have all 100. I’ll look into what I can do to share the ones I have, but as for the other ones you might have to just download from Youtube or a similar source. Sorry!

        • Kidd
        • January 13th, 2011

        Hi Jung,

        Thanks for your reply, i already started to looked for some of those songs (plus i found some other songs like Se7en, B2st, 2AM, 2PM, etc.) and i must say that i like it :)

        so it would be appriciate if you could share the songs that you have, so it would save some times to search it hehehe.

        once again, thanks a lot.

      • Sure thing. I’m going to look at some of the sharing options available, but if all else fails I can just email the songs to you.

        It’s awesome that you’re finding new music on your own as well! Just fyi, this here isn’t strictly a music blog, but in the future I plan to write more regularly about both Korean and American music. So feel free to check back time to time :)

        • Kidd
        • January 13th, 2011

        i will be waiting for your info on those share songs :P

        Also i will be waiting for more of your writing, i’m sure its will be as good as this review.

        keep up the good work (“,)v

      • Sent an email!

    • Yuk
    • January 13th, 2011

    Where do you get your info on the top 100 Korean songs of the decade?? Or is this your own lists?

    Anyways, this kept me entertained for some while. Thanks for posting!!

    • This list was compiled by me from the ground up, and all the writing is 100% mine. :)
      Very glad that you enjoyed it, and thanks for visiting!

    • Jun-hime
    • April 10th, 2011

    I just saw that you mentioned “Instant Pig” as one of the best Korean albums ever. Thanks a lot for that ^^

    Would you mind making an top 100 Korean albums list as well? I really want to check out more Korean music, and being an album guy, I really need such list.

    Please, feed me. I really need some help ^^

    • I did consider a Top 100 Albums list at one point, but the scale of that project would be soo huge. Especially if I expand the timeline to “all time” as opposed to just the last decade. Maybe one day I’ll get to it, but probably not in the near future. However, I do plan to be posting a lot more about some of the best Korean albums (individually, as opposed to one big list), so please do keep checking back!

      In the meantime, I can tell you that most of the albums that contained the songs on this list are excellent as a whole. Check some of them out as well! :)

        • Jun-hime
        • April 13th, 2011

        Thanks a lot, man.

        Well. I am looking for the “all-time” list, since I don’t think Korea has the high standard of the whole West + America, for only the last decade ^^

        I’m really looking for the best of the best that Korea has to offer, since I’m so very picky, and seem to have the taste of any awful Pitchfork reviewer. I just can’t help it though ^^

        Any particular album you are thinking of in the last paragraph? I just need some albums for starters. Music is worse than heroin. ^^

        And thank you very much, sir.

    • Oh, goodness. WordPress never told me that your replied again to this, sorry for not getting back! I really hope you get to see this.

      Some starters… try “Atomos” by Seo Taiji, “Dubonchae Dal” (Second Moon) by the group of the same name, “Op.4″ by Lena Park, “fHeel gHood Muzik” by Drunken Tiger, “The Good Die Young” by Verbal Jint, anything by Lucid Fall, and the untitled seventh album of Lee Sora. That was just done off the top of my head, so some of the albums are ones you’d have heard of from this list. I would probably include all of those if I were ever to do a best albums list.

        • Jun-hime
        • May 17th, 2011

        Thanks a lot.
        You are far too kind, sir ^^

        My computer crashed in late April.
        So it seems this page is filled with bad luck.

        Thanks again.
        I’ll check all of those albums out ^^

    • Christianna
    • July 10th, 2011

    Your list is awesome and i appreciate it being in english as i dont speak Korean bit yet the musica still speaks to me and 90% of these songs did just that
    Thanx again!

    • I’m so glad that my list was able to do that, Christianna. Thank you for your kind words!

  2. that’s a pretty thorough review right there – just found this while i was googling korean music… how about in terms of all time? how’s your knowledge before 1995 or so?

    my friend and i were debating and our top 5 consists of song from 부활 (never ending story), 김현식 (내사랑 내곁에), 유재하 (사랑하기 때문에), 조용필(이젠 그랬으면 좋겠네) and 임재범 (고해) – we felt these songs while all slower and similar in feel captured the essence of korean “한” or “정”- (no english words can do these words proper justice in translation) in lyrical and melodious value

    • I have some knowledge of older Korean music, but it’s not super extensive. That said, all time greatest song… wow, that’s a hard one for sure. I would definitely look for those qualities you mentioned, and also for what’s most culturally influential and significant; so I would definitely include 사랑하기 때문에 like you did. I’d also throw in 돌아와요 부산항에 (조용필), 아마 늦은 여름이었을 거야 (산울림), 미인 (신중현), something from early Seo Taiji (maybe 교실 이데아 or 발해를 꿈꾸며), early work from Panic, J에게 (이선희), 삐에로는 우릴 보고 웃지 (김완선)… I’ll have to stop myself here haha. Bottom line is that I can’t put together something like a top 5 without really giving a lot of thought, but those are just some examples of what I think can belong in there.

  3. Thank you for these ^^ I was looking for good K-songs that weren’t mainstream K-pop

    • Lemon
    • September 3rd, 2011

    This was a wonderful read, thank you! I have no idea how I discovered this series (thanks google), but it was perfect for someone like me that likes Kpop but is getting bored of the current mainstream offerings. Its 2am now and I just realized I spent the last hour or so on this blog, heh. Anyway, I like your taste in music and found your commentary humorous and delightful (totally lol-ed at your dbsk rising sun’s unintelligible lyrics remark)!

    Please continue writing such posts! :)

    • Glad to know you enjoyed it. Thank you! Right now this blog is taking a bit of a hiatus, due to my writing elsewhere, but I hope to write something like this again at some point.

  4. accidentally found ur blog..and ure made a freakin awesome review..i enjoy it so much!!!!!..altough i didnt listening all the song somehow i believe u put them in the right order..smart and hilarious at the time..cant wait to read ure next post..maybe about best album..best MV (i think theres a lot of aweso me korean mv)..^.^

    PS: love ur review about shinhwa,taeyang,bigbang,brown eyes,boa,gummy,wheesung..right to the point!!!

    • Thanks for the kind words, cikitita! I do hope to be able to resume projects like this, but it’ll happen at some point in the not-so-near future.

    • Tomas
    • October 20th, 2011

    You are truly amazing, friend. and by the way your link is broken for the “10. g.o.d. – 길 (The Road)” so i found another one for you.

    love your blog, man. keep it up! … Please…

  5. I was just browsing for good korean songs in google and I happen to stumble at your blog (I’m a Kpop fan). I haven’t read all the Top 100 songs and just picked the ones I liked to read. You’re really good at music reviews. I’m so happy that you included Shinhwa, their music are really good and “How do I say” is my fave..
    I hope you’ll include Byul in your next reviews and the Full House Ost.They are worth listening.

    P.S:Seo in Guk’s “Love U” is also great.

    Thanks..:)

    • Chris
    • July 21st, 2012

    Can you do a top 100 for Korean oldies? Like songs from the 80’s and 70’s? I love some of those older songs, but never know the song names :(

    • linda
    • September 16th, 2012

    Hi! I came across this site one night while searching for some new (yet old) songs to add to my collection. I have to say, you were spot on with #1 Lena Park and #2 Kinetic Flow. Your writing skills are absolutely amazing- keep up the good work on writing music reviews. You definitely have a career lined up for you! In any case, I definitely would love to see your reviews for the above request- if you have a top XXX for Korean old songs from the 80s/90s? Growing up in that era like listening to Chung Soo-Ra, So Bang Cha, Kim Gun-mo, etc. Curious to know what your tops are! In any case, good luck with whatever you do and thanks so much for posting this. Looks like you’ve generated a legion of fans here. ;)

    • Thank you! A 80s/90s list is something that I’d love to do at some point, but unfortunately I don’t see myself being able to devote the time to put it together in the near future. I really hope to be able to do it down the road someday, though, whether it goes on this blog or on the website that I write for now.

      I can tell you that the top five or so would definitely include Delgukhwa, Sanwoolim, and Cho Yong-pil, though. (:

    • quzaylulu
    • December 24th, 2012

    English is not my first language so i am sorry if you not understand what i want to tell..it goes like this.

    I am a Bigbang fan (dont judge me, hehe) but not all of their songs i like, and surely like all other VIPs (maybe), i search for Seo Taiji song (and the Boys of course, not the Band, i didnt know about it until i google Wiki).i found a song that titled ‘As The Night Goes On’ on YT.It is a very great song.i have been trying to search the meaning but i didnt found any.

    Can you please translate it for me, if this thing not burden you up.Ah..i really appreciate the Masta Wu feat Teddy Do It or Die english translated lyric, it give me goosebump.

    Mind my grammar, can you,he….Thank You.

    • Sure thing. It’s a short song so I’ll just do it right here. Hope it helps.
      ____________________
      Spurred by old thoughts
      I opened the cafe doors
      And tried to remember old memories
      Even the sound of soft music makes my heart ache

      I reminisce of that rainy day
      Your expression, saddened by my greed and pride

      Alone in an empty cafe, I lean
      And shed tears that even I don’t notice
      I close my eyes shut
      But there is only your appearance

      This night deepens but
      Could I make a phone call
      And get to see you
      I’m afraid

      You’re probably crying even now
      Your heart, as lithe as a rain of dew
      Please don’t be sorrowful
      I know your heart

      I reminisce of that rainy day
      Your expression, saddened by my greed and pride

      Hiding my emptied feelings
      I walk this rainy night
      The pale face that I’d seen
      Would that be the end

      This night deepens but
      Could I make a phone call
      And get to see you
      I want to meet you again

  1. January 6th, 2011
  2. February 3rd, 2011

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Follow

Get every new post delivered to your Inbox.

Join 1,162 other followers

%d bloggers like this: