The K-Pop 100: Idol Group Songs – #10~#1

[The K-Pop 100: Idol Group Songs]

Introduction
#100 – #91
#90 – #81
#80 – #71
#70 – #61
#60 – #51
#50 – #41
#40 – #31
#30 – #21
#20 – #11
#10 – #1

10. Fly to the Sky – Sea of Love

Fly to the Sky - Sea of Love

From Sea of Love (2002)
Label: SM Entertainment
Composition/Writing/Arrangement: Yoo Young-jin
Links: music video, audio, live

“Sea of Love” is what a lot of dance tunes, even many in this list, are not: evocative. A longing nostalgia pervades the song; the lyrics do part of that work, but “Sea of Love” works more effectively through its sounds. From the opening wave effects to breathtaking chorus, there is scale and wonder built into the medium-tempo composition that sets the song apart. Hwanhee and Brian also enjoy the best-balanced vocal rapport of their FTTS careers in this album, and it shows in their complementary harmony and weights that feel just right.

Continue reading

Advertisements

The K-Pop 100: Idol Group Songs – #30~#21

[The K-Pop 100: Idol Group Songs]

Introduction
#100 – #91
#90 – #81
#80 – #71
#70 – #61
#60 – #51
#50 – #41
#40 – #31
#30 – #21
#20 – #11
#10 – #1

30. Koyote – 디스코왕 (King of Disco)

Koyote - King of Disco

From King of Disco (2004)
Label: Trifecta
Composition/Writing/Arrangement: Joo Young-hoon
Links: music video, audio, live

You rely on Koyote to deliver one thing: danceable jams. “King of Disco” is maybe their most danceable tune ever, lacking the minor chords and overpowered techno beats that characterize a lot of their work but instead filled with the titular disco embellishments and an easy singalong melody. Lee Soo-young (deservedly) won all the awards that year, but the runner-up was no slouch at all.

Continue reading

The K-Pop 100: Idol Group Songs – #80~#71

[The K-Pop 100: Idol Group Songs]

Introduction
#100 – #91
#90 – #81
#80 – #71
#70 – #61
#60 – #51
#50 – #41
#40 – #31
#30 – #21
#20 – #11
#10 – #1

80. Zaza – 버스 안에서 (In The Bus)

Zaza - Illusion

From Illusion (1996)
Label: Three Nine Comprehensive Media
Composition/Writing/Arrangement: Kang Won-suk
Links: audio, live

It’s one of those songs where the verses are catchier than the chorus. The raspy rapping is reminiscent of CLON, themselves a contemporary of Zaza, but Yoo Young‘s smooth bridge and finish soon creates distinction. There’s undeniable groove here, and the storytelling still works too.

Continue reading

The K-Pop 100: Idol Group Songs – #90~#81

[The K-Pop 100: Idol Group Songs]

Introduction
#100 – #91
#90 – #81
#80 – #71
#70 – #61
#60 – #51
#50 – #41
#40 – #31
#30 – #21
#20 – #11
#10 – #1

90. FIN.K.L. – 영원 (Eternity)

FIN.K.L. - Eternity

From Eternity (2002)
Label: DSP Media
Composition/Arrangement: Yoo Jung-yeon
Writing: Lee Hyori (FIN.K.L.)
Links: music video, audio, live

FIN.K.L.’s final album (at least, to date) focused on maturation, and so a ballad was picked to be the lead single. With Ok Joo-hyun leading, the four members elegantly performed this easy-listening number that borrowed noticeably from Brown Eyes-style R&B pop. A soft melody and thoughtful arrangement later, we had the definitive FIN.K.L. ballad.

Continue reading

Top 100 (Korean) Songs of the Decade: #60~51

Previous Entry (#70~61):

https://jdbae.wordpress.com/2010/12/31/top-100-korean-songs-of-the-decade-7061/

60. Tei – 사랑은… 향기를 남기고 (Love… Left a Scent)
Album: The First Journey
Release: 1-5-2004

As far as successful debuts go, Tei couldn’t have asked for a much better one. “Love… Left a Scent” topped one music countdown show’s main chart for five consecutive weeks, setting a new record that was only ever tied once (the contender was “겁쟁이” (“Coward”) by Buzz, if you were wondering) before that show got shut down. Tei is a phenomenal singer–not necessarily endowed with the most flashy technique, but instead with an interesting husky tone and emotional control. Listeners were introduced to both in this song. The rather difficult modern-ballad melody has Tei doing vocal acrobatics all over, but it still somehow manages to convey that emotion of melancholy yearning. The song is doubly effective in that the satisfaction of the final chorus’ catharsis is matched only by the intensity of the brooding aftertaste it leaves.

Continue reading